關於電影的英語句子
1、人到十三歲，自以爲對這個世界已相當重要，而世界纔剛剛準備原諒你的幼稚。
When you are thirteen years old, you think you are very important to the world, and the world is just ready to forgive your childishness.
2、好萊塢由恐懼與嗜財支配。但那不會支配我，因爲我無所畏懼，不貪戀錢財。
Hollywood is dominated by fear and financial addiction. But that will not dominate me, because I am fearless and not greedy for money.
3、**決不能爆炸，**不爆炸，觀衆就老在惴惴不安。
The bomb must not explode, and the bomb will not explode, and the audience will always be uneasy.
4、每次表演一個角色時，演員都必須生活在這一角色之中。
Every time a character is played, the actor must live in this role.
5、要更好地理解一部影片的傾向如何，最好先理解該影片是如何表現其傾向的。
To better understand the tendency of a film, it is better to understand how the film expresses its tendency first.
6、我像個雷達，我接受東西，然後再像鏡子一樣反射出來，夾雜着回憶、夢境和理念。
I am like a radar, I accept things, and then reflect them like a mirror, mixed with memories, dreams and ideas.
7、我想用我的電影蓋一棟房子。有些做成地窖，有些做牆壁，其他則做窗戶。然而，我希望到最後它能成一棟房子。
I want to build a house with my movie. Some make cellars, others make walls, others make windows. However, I hope that in the end it will become a house.
8、不管我採用了什麼題材，其實講的都是宗教題材。只不過他們的救贖發生在大街上，而不是教堂裏。
No matter what subject I have adopted, I am talking about religious themes. But their salvation happened on the street, not in the church.
9、夢想始於劇本，而終結於電影。
Dreams begin with scripts and end in films.
10、一個影像接觸其他影像時必須發生轉化，如一種顏色接觸其他顏色時那樣。放在綠、黃或紅旁邊的藍不是相同的藍。沒有藝術不含轉化。
An image must be transformed when it contacts other images, such as when one color contacts other colors. The blue beside the green, yellow or red is not the same blue. No art, no transformation.
11、當幻想轉向愛情時，直覺卻並不總是跟隨。
When fantasy turns to love, intuition does not always follow.
12、當我非常個人化地敘述一個故事時，這個故事要比我試圖以放之四海皆準的語言敘述能令更多人認可。
When I tell a story in a very personal way, it's more acceptable than what I try to say in a universal language.
13、我就是我。如果必須以頭撞牆來真實待己，那麼我願意。
I am me. If I have to head against the wall to be true to myself, I will.
14、無論你是英雄抑或歹徒，切記把你的角色演得有人味，那就是要儘可能賦予他某些相反的品質而又不影響他在故事裏的主要身份。
Whether you are a hero or a gangster, remember to give your character a human touch, that is, to give him as many qualities as possible to the contrary without affecting his main identity in the story.
15、我對情節的發展、事件的串聯並沒有興趣，我認爲我的電影一部比一部不需要情節。
I am not interested in the development of plots and the series of events. I think my movies are more than one without plots.
16、如果說中國會好，國產片也會好。
If China is good, the homemade films will be good.
17、人老了之後的現象之一就是，童年的回憶會越來越清晰地浮現出來，而壯年時期的種種大事卻反而模糊，以至於消失。
One of the phenomena of old age is that memories of childhood will appear more and more clearly, while the events of adulthood are blurred and disappear.
18、演員也同樣是人，與別人並無差別。作家、畫家或音樂家可以躲到角落裏去舔淨他的傷口，但演員卻要站在大庭廣衆面前忍受這種傷痛。
Actors are also human beings, no difference from others. Writers, painters or musicians can hide in corners to lick their wounds, but actors have to stand in front of the public to endure the pain.
19、我曾反覆說過，我作爲一個電影人，拍了一部電影的話，觀衆就應當從這一部電影中，看到100部他們自己的電影，每一名觀衆都可以看到他自己的電影，這就是我所力爭做到的。
I have repeatedly said that if I make a film as a filmmaker, the audience should see 100 of their own movies from this film, and every audience can see his own movies, which is what I strive to achieve.
20、我留下腳印，讓後人來追尋。
I left footprints for posterity to pursue.
21、我是一個獨立製片導演！人們總說我的電影像好萊塢電影，或者就是好萊塢電影。可是好萊塢要抄襲我，我有什麼辦法。
I am an independent producer director. People always say that my movies are like Hollywood movies, or Hollywood movies. But Hollywood has to plagiarize me. What can I do?
22、在我身上有所有中國導演的缺點，比如說戲劇性，我很愛戲劇性，我也是看評書看章回小說長大的，但我知道那是一個缺陷，我們把現實簡單化了、娛樂化了、傳奇化了。
I have all the shortcomings of Chinese directors, such as dramatic, I love dramatic, I grew up reading reviews and chapters of fiction, but I know that it is a defect, we simplify the reality, entertainment, legendary.
23、我們並不處處袒露我們內心的真實想法，我們只表露我們想要別人信以爲真的東西。
We don't reveal our true thoughts everywhere. We only reveal what we want to be believed to be true.
24、我的電影從來無意寫實，它們是鏡子，是現實的片斷，幾乎跟夢一樣。
My films are never meant to be realistic. They are mirrors, fragments of reality, almost like dreams.
25、爲了保衛韓國電影，我們甚至可以去死！
In order to defend Korean movies, we can even die.
26、影戲假如能用來描述民間的痛苦，至少可以促進社會的自警，讓社會自己想一想，應該如何的改進自己。
Shadow play, if it can be used to describe the suffering of the people, can at least promote the self-policing of the society and let the society think about how to improve itself.
27、有一種電影要求很長時間的積澱，有一種需要閃電般的靈感。
There is a kind of film that requires a long time to accumulate, and there is a need for lightning inspiration.
28、我現在已經老了，人越老想得越深，水面上的事情我已經抓不住了，我在水底思想。
I am old now. The older people think, the deeper they think. I can't grasp the things on the water. I think under the water.
29、生活的全部，它行動的整體，乃是一部自然、生動的電影。
The whole of life, the whole of its action, is a natural and vivid film.
30、真假混合時，真突顯出假，假卻妨礙我們去相信真。一個演員，在一艘被真的風雨拍打着的真船的甲板上，假裝害怕沉船，我們既不會相信那演員，也不相信那艘船和那場風雨。
When true and false, it is obvious that false and false prevent us from believing in truth. An actor, on the deck of a real ship hit by a real storm, pretends to be afraid of sinking. We will not believe the actor, nor the ship and the storm.
31、夢想要根植於現實。
Dreams should be rooted in reality.
32、我確實覺得美好的，肯定不會長久。
I do not think it will last forever.
33、我倒不是怕死，只是死到臨頭，我不願在場。
I'm not afraid of death. I just want to be here.
34、蠢比智慧更無限迷人、更無限深奧。智慧有限度，而愚蠢則沒有。
Stupidity is infinitely more charming and infinitely profound than wisdom. Wisdom is finite, but stupidity is not.
35、別給我擠眉弄眼，表演沒有那麼複雜。
Don't give me a wink. The performance is not so complicated.
36、我一直同步記錄國民演變的過程，我生活在一個變革的時代，這種變革性要求一個導演很敏感很同步地來判斷。我相信我的作品會成爲中國標誌性的一組建築物。
I have been keeping a synchronized record of the process of national evolution, and I live in an era of change, which requires a director to be sensitive and synchronized to judge. I believe my work will become a landmark building in China.
37、讓一個人置身於變幻無窮的環境中，讓他與數不盡或遠或近的人物錯身而過，讓他與整個世界發生關係：這就是電影的意義。
Let a person be in a changeable environment, let him miss countless or far or near people, let him have a relationship with the whole world: this is the meaning of the film.
38、一個編劇導演人不僅僅是隨便把一個故事搬上膠片就算完事，而他至少應該是一個作家，一個有獨特的風格、正確的認識而爲大衆所有的作家。
A screenwriter and director is not only a casual film of a story, but at least he should be a writer, a writer with a unique style, correct understanding and all for the public.
39、演戲的真諦就是把人生當成一場實驗，在一次次的幕起幕落之間探究人生的千奇百怪和悲歡離合。
The essence of acting is to treat life as an experiment, exploring the strange and joyful life between the curtain and the curtain.
